So here's my Top 10, in no particular order:
Julian Louie

Rodarte


D&G



Missoni



Jil Sander

Gareth Pugh

Hutson

Haider Ackermann

Jean Paul Gaultier

Ann Demeulemeester


Photos: www.style.com, Collages: me!

















This scarf is made by Little Factory, but I think it's all sold out at their site, so Veer is your best bet. However, Veer doesn't ship this scarf outside of North America -- sorry! Little Factory also has lower case and number versions of this scarf.
Apparently, it was inspired by "the bold and bright Harajuku culture," which is also hilariously apropos, given my latest post. I just really like the color palette and the drops remind me of this art I saw in the London Underground in 2006 by this Japanese artist, whose name I can't remember for the life of me.
Vevers had me at "suede." *sigh* Style.com argued that it was a bad idea to have branded bags and clothes now because of the economy. I'm sorry -- what does the economy have to do with people who have enough money to buy these clothes? Perhaps they meant that putting the label name on clothing may limit Loewe's market... Still, I really don't think that anyone who wants something off the runway will care whether the name is printed on it or not. *eye roll*
I love the detailing here. It looks like laser-cut leather, but I could be wrong (and I'm definitely too lazy to find out).
I am obsessed with this collection! First of all, I really appreciate the bright, saturated colors. Finally, looks that strike a balance between color and neutrals! The first look is kind of weird... it's a suit, but you can like, do judo in it. How strange! Apparently the fit and flexibility was demonstrated by some martial arts masters (that's why that first model is so short). Next favorites are the second to last and last looks.
You know, I think what attracts many people to Isabel Marant is the unpretentiousness of her clothing. This is fashion at its easiest, its most relaxed. And her boots are always awesome. I'm sure people will be DIYing these!
This man is a genius. And I don't think I can even explain why. I adore the first two looks, mainly because he takes something so obviously masculine -- a slouchy menswear suit that doesn't even look like it's been tailored for a woman -- and wraps the legs in something incredibly feminine -- garters. I have to say that this may be the most artful combination of masculine and feminine that I've seen in a while.
I'm not the biggest fan of Vivienne Westwood, but I truly enjoyed this collection. Favorites include the gigantic scarf/blankets and the printed jacket (#5); it looks like abstracted peacock feathers or something.
For the first time since middle school or so (true story), I can say that I really loved Comme des Garcons. Cheeky trompe-l'oeil on the shoes and capes, weird kerchief hems and hair wrapped up like bouquets of flowers. Yum.
Honestly, what can I say about Rick Owens that hasn't already been said? You know everyone likes it. You know you like it. And you should.
Most bloggers showed the dresses with trains from Theyskens' last showing, but I'd rather focus on the separates. I love the sinister vibe these clothes gave off -- I wonder if he's sending a message? Regardless, Theyskens really pulled off a beautiful collection; I bet the higher-ups at Nina Ricci are kicking themselves.
Oh Ann, you'll always have my heart. The corsets made of belts, studs everywhere...
...and the draping. If only I could afford any of this stuff. :(
Edit: I just saw this video of Pugh's A/W 09 collection, and it completely changed my mind. It's definitely worth watching.
With each passing season, I like Just Cavalli more and more. It used to be too flashy, too over-the-top for me -- not to say that this is tame, not by any measure -- but now, the "audacity" seems relevant. Not much bling here; I suppose Lagerfeld was right (although, uh... no one calls it "bling" anymore. Nor has bling been cool for at least like, 5 years. But I know what he meant.). Lots of pop culture references here... I don't know if they're on purpose or not, but you can see the Pollock splatter print, a Thriller-esque jacket, grunge/hippie shredded jeans. All in all, quite nice, I think.
What to say about Jil Sander... Austere, futuristic in its simplicity... Nice. The Washington Post said that these clothes erased the curve from the feminine body shape, but I disagree. There are clearly nipped-in waists and the clothes flow around the models' curves -- and I use that term loosely. Then again, maybe that's a good point to make -- most thin women don't have much in the way of curves, but these clothes make all the models look "womanly"... so at second glance, the curve is emphasized instead of erased.
Maybe I have Star Wars on the brain or something, but all I could think about when I saw these pictures was how apropriate they'd be in outer space. I loooooooove the lapels on the white suit.
These reminded me of frill-necked lizards. Yeah.